Great Hemingway review by Kirk Curnutt
Quite honestly, I had as enjoyable a time reading C. Edgar Grissom’s new descriptive bibliography of Ernest Hemingway as I did Umberto Eco’s The Prague Cemetery (2011). Both are hefty volumes—more than 500 pages—chockfull of semiotic intrigue and inferences lurking in the white space, waiting to be drawn out. (The plot in Ernest Hemingway: A Descriptive Bibliography moves a little faster, however). In both cases, the storyline pivots around the relationships between books. In Eco’s case, the intertextual referent is Dumas père’s Joseph Balsamo (1854). In Mr. Grissom’s case, it’s a source with which all serious Hemingway aficionados have more than a little familiarity: Audre Hanneman’s Ernest Hemingway: A Comprehensive Bibliography (1967).