Archive
New Castle featured in The Washington Post
The beautiful and historic town of New Castle (also the home of Oak Knoll) was featured yesterday in the travel section of The Washington Post’s online news. Audrey Hoffer, a freelance writer in Washington, wrote an article about the buildings, scenery, smells, and homes all located in the small town of New Castle. As Hoffer’s day in the town was ending, a trip to Oak Knoll was in order to check out our selection of books and revel in the grandeur of our building that was once an Opera House.
“I’m suffused with a sudden sense of pride and nostalgia. I’d come to New Castle looking for a taste of pure Americana. And sure enough, I’d found it.”–A.H.
Click here to read the article.
New Castle’s Spirit of Christmas
James and I had the privilege of representing Oak Knoll at Historic New Castle’s Spirit of Christmas event on Saturday evening. We set up a table in the historic courthouse, displaying and selling copies of our new book on the history of Oak Knoll’s hometown: New Castle, Delaware: A Walk Through Time. It was a beautiful evening, with historic reenactments, candlelight tours of the historic buildings, and Christmas carolers. Tomorrow Danielle and I will be on hand at the signing of the new book, so stay tuned for pictures from that event as well.
Laura
Pictures of the New Castle Exhibition!
Check out pictures of our new exhibition on the historic town of New Castle. All publications in the exhibition are available to view and purchase.
Click here to see a list of all books in the exhibition.
A successful mini-fair
This past Saturday, The Bookshop in Old New Castle hosted a mini-book fair sponsored by the Mid-Atlantic Chapter of the ABAA. Thirteen booksellers participated in the fair, and author Joel Silver signed copies of his new publication Dr. Rosenbach and Mr. Lilly. The day was very successful, and we were excited to see those involved enjoying the opportunity to sell and purchase books. One participating bookseller, George Krzyminski from Certain Books, had wonderful words to say about the event:
“Speaking only for myself, I did very well, in buying as well as selling – better than some all-day or all weekend events I’ve exhibited at in the recent past. I met at least 3 new customers, quoted them some other material afterwards and met several dealers with which I’d had no previous contact – all to the good. I believe others at the show had similar experiences. We also had the opportunity to purchase & have Joel Silver sign his newest book, “Dr. Rosenbach & Mr. Lilly.” And of course, we all dipped into shopping the shelves at Oak Knoll the entire time…
I repeat Penny’s compliments and thanks to Bob & Millie & Rob Fleck and their staff, to all the other Bookshop in Old New Castle dealers – Bordentown, Kelmscott, Between the Covers- for their willingness to ‘share the space’ and custom with us all – and to all the dealers and their partners and staff that showed up for the workshop & show, who fully participated and had a good, profitably-spent time!”
Thank you, George for your kind words. We are happy you had such a great experience, and we hope all the rest of the booksellers had a great time as well! We look forward to participating in other similar events in the future.
Click here to view more pictures on facebook.
The journey behind publishing Line, Shade and Shadow
We recently announced that Line, Shade and Shadow: The Fabrication and Preservation of Architectural Drawings by Lois Price won the 2011 Historic Preservation Book Prize. It was chosen as the most significant contribution to the intellectual vitality of historic preservation in America. A book of this excellence takes years of research and work. Read about Lois Price and her journey in creating such a fascinating work.
This book began with a search for information that was not there. As a paper conservator working at a busy regional conservation center, the Conservation Center for Art and Historic Artifacts (CCAHA) in Philadelphia, I never knew what kind of material would appear on my roster of treatments, and it was impossible to ignore the increasing number of architectural drawings and blueprints that entered the lab in the late 1980s. The wonderful images, unfamiliar materials, and mysterious reprographic processes piqued my curiosity. They reawakened a somewhat dormant interest in architecture that began in my undergraduate days during a course in American art, continuing through my senior honors thesis on American architecture and even into a few additional graduate courses. Interest renewed, I began a largely unsuccessful search of secondary sources looking for information about materials and techniques. Collection curators had some answers but not in the depth and detail I needed. Architects were distinctly uninterested in discussing the craft of creating their drawings, though I learned a lot about design theories, competitions, and the big one that got away. And so, the odyssey through original source material— drawings, trade catalogs, builders and drafters manuals, and technical treatises on the manufacture of specialty materials, began.
Fast forward a decade and a half through many libraries, a job change, several research grants to a manuscript, and a list of possible illustrations, and enter Oak Knoll Press in the person of John Von Hoelle. He had much encouragement and a commitment for publication. Little did I know that another odyssey was just beginning. With Oak Knoll’s encouragement, the list of possible illustrations grew to over 350, including images that illustrated every facet of the text. Securing them and writing the captions was a huge and time consuming challenge that took almost five years, but thanks to the wonders of digital photography and the generosity of several institutions, particularly the Athenaeum of Philadelphia and the Winterthur Museum, Garden & Library, everything finally came together. If you can call a motley collection of black and white prints, color transparencies, 35mm slides, and a large stack of CDs, together.
When my manuscript was finally ready for editing, Laura Williams took on the task, and began making sense of the daunting stack of images. She patiently saw the manuscript through two rounds of copy editing and finally typesetting and design. That first look at the text in print and the stunning design will remain a memorable moment. Next, we traversed several rounds of galley proofs as I fretted about typos, color accuracy, and image resolution. The best part of the editing and publication process, of course, was the need to visit Oak Knoll in New Castle on a regular basis and peruse the bookshelves. I occasionally brought my students and we never left empty handed.
I still see the transformation of my initial vision of what we needed to know about architectural drawings to a beautifully printed book as rather miraculous. Oak Knoll is a small press and things do take time, but there is a real commitment to working with the author and getting it right. For that I am extremely grateful.
We want to congratulate Lois Price again on winning the 2011 Historic Preservation Book Prize. We are excited to see all of her hard work pay off!
Click here for more information on Line, Shade and Shadow.
Danielle Intern!
Hello everyone! As a senior English major at The University of Delaware, I am pleased to be sitting at my first internship desk and writing my first Biblio-Blog entry at Oak Knoll. I’ve only been traveling into Old New Castle for a week, and already I have been exposed to more of the book world than ever before.
Luckily for me, I came in at the most exciting time of the year—Oak Knoll Fest. I had never put much thought into how intricate the process of creating a book could be, but as I witnessed the creativity and the quality of materials used throughout the exhibit hall, I was blown away. I’m so used to reading my favorite stories, like “The Yellow Wallpaper,” in dull, chunky textbooks, and there it was in front of me, a unique and delicate copy of the book with beautiful pages of yellow wallpaper placed throughout. If only every story and its book could be so inspiring.
Although I was reluctant to place my favorite copy of “The Yellow Wallpaper” back onto the table and walk away, I will always look back to it when I think of how beautiful a book can be.
Like the artists and their books displayed at Oak Knoll Fest, I am sure Oak Knoll has a great deal of pleasant surprises and learning experiences in store for me, and I am sure that I will take in and come to love every single one.
I look forward to our time together, Oak Knoll family!
-Danielle, Intern